![]() That early scene has its own narrative that mirrors and explains the whole movie. The scene ends with him accepting her again and they give each other a hug.” I heard him talk about this at a Norwegian screening of the film: maybe it was the first time he was truly seen in his entire life. “The immediate thing is that Karl-Bertil feels appreciated and seen for the first time. What did Ree see as the scene played out? “There are so many things going on at that moment,” he said. He pushes Kysilkova away when she goes over to comfort him, then he walks up to his portrait, crying. He is gobsmacked, his eyes riveted on the painting. The cinematographer Kristoffer Kumar holds on Nordland as waves of emotion cross his face. That extraordinary moment could only unfold in a cinéma vérité film. That’s when I knew it was not going be a short-film documentary.” ![]() The crucial moment for me was when Karl-Bertil saw himself painted for the first time. I didn’t know anything about where the story would end. “She had a lot of questions about his tattoo - ‘snitchers are a dying breed’ - and I immediately saw Karl-Bertil and Barbora had chemistry. “I came in early in the process of Barbora and Karl-Bertil getting to know each other,” Ree said in a phone interview. Ree started to shoot a 10-minute short in 2016 - until he witnessed the moment when the painter first showed Nordland her painting of him. Ree is teaming up once again with collaborators from “The Painter and the Thief,” DOP Tore Vollan, editor Robert Stengård, composer Uno Helmersson and producer Ingvil Giske, who also produced “The Eclipse,” which is vying for the top Dox:Award in Copenhagen.Oscars 2023: Best Animated Feature PredictionsĮarly Best Animated Feature Prospects Include 'Turning Red' and 'Inu-Oh'ĥ0 Directors' Favorite Horror Movies: Bong Joon Ho, Quentin Tarantino, Guillermo del Toro, and More “If you’re not a gamer yourself it’s hard to totally understand how an avatar life can be a real life – and that is extremely important for so many young people who game: to show how an avatar life can be so extremely meaningful, both to themselves and to other people, that they have real friends in the game who have the same value to you as friends in real life,” she says, adding “Our experience from the pandemic means we are ready to hear this story right now because there have been a lot of people sitting inside gaming.” It was this community, says producer Ingvil Giske, that helped Mats gain his independence despite being in a wheelchair – one of the key messages of the film. Some of these friends from his gaming community, whom Ree has been traveling around Europe to meet, will appear in interviews in the film. And he was also this amazing friend, who helped his friends out in so many ways. He had specialized equipment that allowed him to game. ![]() ![]() Mats was as ill as it’s possible to be, he had 11 assistants, he could only move his fingers a bit and had all kinds of machines including a breathing machine to keep him alive. ![]() In addition to the animation, “Ibelin” will also feature footage drawn from some 50 hours of home-made videos shot by Mats’ parents, as well as present day interviews with family and friends.įor the filmmaker, “this story is about the value of a life. The biggest challenge will be to condense nearly a decade of avatar life into one film, says Ree, who is currently working on a first animatic draft. It’s quite extraordinary to have so much archival material that makes it possible to recreate his online life.” “They stored so much information – there are 42,000 forum posts! – and we are planning to take out models from the game, like the trees, the background, the buildings, the characters and the dialogue, and tell Mats’ avatar story. ![]()
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